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A Midsummer Night's Dream Paperback – Illustrated, 20 January 2014
- ISBN-101107615453
- ISBN-13978-1107615458
- Edition1st
- PublisherCambridge University Press
- Publication date20 January 2014
- LanguageEnglish
- Dimensions20.32 x 1.12 x 25.4 cm
- Print length190 pages
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Product description
Book Description
Product details
- Publisher : Cambridge University Press; 1st edition (20 January 2014)
- Language : English
- Paperback : 190 pages
- ISBN-10 : 1107615453
- ISBN-13 : 978-1107615458
- Dimensions : 20.32 x 1.12 x 25.4 cm
- Best Sellers Rank: 62,465 in Books (See Top 100 in Books)
- Customer Reviews:
About the authors
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's preeminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Shakespeare was born in Stratford-upon-Avon in Warwickshire and was baptised on 26 April 1564. Thought to have been educated at the local grammar school, he married Anne Hathaway, with whom he went on to have three children, at the age of eighteen, before moving to London to work in the theatre. Two erotic poems, Venus and Adonis and The Rape of Lucrece were published in 1593 and 1594 and records of his plays begin to appear in 1594 for Richard III and the three parts of Henry VI. Shakespeare's tragic period lasted from around 1600 to 1608, during which period he wrote plays including Hamlet and Othello. The first editions of the sonnets were published in 1609 but evidence suggests that Shakespeare had been writing them for years for a private readership.
Shakespeare spent the last five years of his life in Stratford, by now a wealthy man. He died on 23 April 1616 and was buried in Holy Trinity Church in Stratford. The first collected edition of his works was published in 1623.
(The portrait details: The Chandos portrait, artist and authenticity unconfirmed. NPG1, © National Portrait Gallery, London)
Barbara A. Mowat (1934-2017) was the Director of Research Emerita at the Folger Shakespeare Library, consulting editor of Shakespeare Quarterly, and editor (with Paul Werstine) of the Folger Shakespeare Library editions of Shakespeare's works. Her major fields of research interest included Shakespeare’s dramatic romances, early modern printed dramatic texts, and Shakespeare’s reading practices. She received an M.A. degree in English literature from the University of Virginia, a Ph.D. in English literature from Auburn University, and Doctorates of Humane Letters from Amherst College, St. Johns University, and Washington College. Before coming to the Folger, she was Hollifield Professor of English Literature at Auburn University and then Dean of the College at Washington College. She served as president of the Shakespeare Association of America, president of the Southeast Renaissance Conference, chair of the MLA committee on the New Variorum Shakespeare, and was a member of the advisory board of the International Shakespeare Conference.
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Top reviews from Australia
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- Reviewed in Australia on 6 August 2023Verified PurchaseThere’s a hell of a lot of confusion up for grabs if you have Puck’s powers and mischievous inclinations. And Oberon’s revenge on Titania was a bit over the top. Happily ever after for all of them though. The Statler and Waldorfesque comments from Theseus et al about the clowns’ play in the last act were hilarious.
- Reviewed in Australia on 17 January 2024Verified PurchaseGreat read, quick to arrive
- Reviewed in Australia on 7 April 2021Verified PurchaseA nice intro read to the renowned writings of Shakespeare. The layout helps with the tracking of the many characters and the complexities.
- Reviewed in Australia on 29 August 2020Verified PurchaseGood brand and used for my daughters uni she very happy with the book she wants this brand very nice looking style thanks
- Reviewed in Australia on 10 September 2019Verified Purchasenice
- Reviewed in Australia on 15 January 2015It's neither the best nor worst of Shakespeare's many comedies, but "A Midsummer Night's Dream" definitely holds one honor -- it's the most fantastical of his works. This airy little comedy is filled with fairies, spells, love potions and romantic mixups, with only the bland human lovers making things a little confusing (who's in love with whom again?).
As Athens prepares for the wedding of Theseus and Hippolyta, the fusty Egeus is demanding that his daughter Hermia marry the man he's chosen for her, Demetrius. Her only other options are death or nunhood.
Since she's in love with a young man named Lysander (no, we never learn why her dad hates Lysander), Hermia refuses, and the two of them plot to escape Athens and marry elsewhere. But Helena, a girl who has been kicked to the curb by Demetrius, tips him off about their plans; he chases Hermia and Lysander into the woods, with Helena following him all the way. Are you confused yet?
But on this same night, the fairy king Oberon and his queen Titania are feuding over a little Indian boy. Oberon decides to use a magical "love juice" from a flower to cause some trouble for Titania by making her fall in love with some random weaver named Nick Bottom (whom his henchman Puck has turned into a donkey-headed man). He also decides to have Puck iron out the four lovers' romantic troubles with the same potion. But of course, hijinks ensue.
"A Midsummer Night's Dream" is another one of Shakespeare's plays that REALLY needs to be seen before it's read. Not only is it meant to be seen rather than read, but the tangle of romantic problems and hijinks are a little difficult to follow... okay, scratch that. They can be VERY difficult to follow, especially if you need to keep the four lovers straight.
But despite those small flaws, Shakespeare is in rare form here -- the story floats along in an enchanted haze of fairy magic, forest groves, and a love square that twists in on itself. And Shakespeare's lush, haunting poetry is absolutely lovely here ("With sweet musk-roses and with eglantine/There sleeps Titania sometime of the night/Lull'd in these flowers with dances and delight...").
But he also packs it with plenty of hilarity -- not only is it funny to read about the haughty fairy queen fawning over a guy with a donkey head (Nick Bottom = "ass's head", get it?), but there's plenty of funny moments in the dialogue ("Thisby, the flowers of odious savours sweet...").
The four main lovers are relatively bland and interchangeable, and we never find out much about them except that Helena is kind of stalkerish and not too bright (she tips off the guy she likes that the girl HE likes is eloping so he can stop her?). The real draws are the fairy creatures -- Titania and Oberon are proud alien creatures filled with both cruelty and kindness, and Puck is delightfully mischievous and.... puckish.
"A Midsummer Night's Dream" is a shimmering little concoction of magic, romantic mayhem and fairy squabbling. Absolutely stunning.
- Reviewed in Australia on 14 December 2022Verified PurchaseThis edition of the play is attributed to Edward de Vere, the Earl of Oxford. I purchased it because I expected it would provide detailed annotations to prove the editor’s case. Instead all we get is de Vere’s name on the cover, an introduction that just asserts he wrote it, the text of the play with no annotations at all and a short biography. I could have done better by just Googling.
- Reviewed in Australia on 5 October 2019So much more enjoyable to read along with the beautifull narration. I recommend to anyone new to Shakespeare. Give it a try.
Top reviews from other countries
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JurijReviewed in Germany on 9 January 2025
5.0 out of 5 stars Top
Verified PurchaseAlles gut
- NatachaReviewed in France on 19 April 2019
5.0 out of 5 stars Full of activities!
Verified PurchaseA perfect edition to make students enjoy the play; a lot of pictures and varied activities to think about the themes and the characters but also the staging and the links one can draw with the role of men/women nowadays... In brief the best edition to fully understand and enjoy the play’s richness!