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This House of Grief: The Story of a Murder Trial Paperback – 20 August 2014
On the evening of 4 September 2005, Father's Day, Robert Farquharson, a separated husband, was driving his three sons home to their mother, Cindy, when his car left the road and plunged into a dam. The boys, aged ten, seven and two, drowned. Was this an act of revenge or a tragic accident? The court case became Helen Garner's obsession. She followed it on its protracted course until the final verdict.
In this utterly compelling book, Helen Garner tells the story of a man and his broken life. She presents the theatre of the courtroom with its actors and audience, all gathered for the purpose of bearing witness to the truth, players in the extraordinary and unpredictable drama of the quest for justice.
This House of Grief is a heartbreaking and unputdownable book by one of Australia's most admired writers.
- Print length288 pages
- LanguageEnglish
- PublisherText Publishing
- Publication date20 August 2014
- Dimensions15.88 x 2.54 x 24.13 cm
- ISBN-101922079200
- ISBN-13978-1922079206
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Product details
- Publisher : Text Publishing (20 August 2014)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1922079200
- ISBN-13 : 978-1922079206
- Dimensions : 15.88 x 2.54 x 24.13 cm
- Best Sellers Rank: 197,238 in Books (See Top 100 in Books)
- 33,571 in Biographies & Memoirs (Books)
- 50,865 in Humour & Entertainment (Books)
- Customer Reviews:
About the author
Helen Garner was born in 1942 in Geelong, and was educated there and at Melbourne University. She taught in Victorian secondary schools until 1972, when she was dismissed for answering her students’ questions about sex, and had to start writing journalism for a living.
Her first novel, Monkey Grip, came out in 1977, won the 1978 National Book Council Award, and was adapted for film in 1981. Since then she has published novels, short stories, essays, and feature journalism. Her screenplay The Last Days of Chez Nous was filmed in 1990. Garner has won many prizes, among them a Walkley Award for her 1993 article about the murder of two-year-old Daniel Valerio. In 1995 she published The First Stone, a controversial account of a Melbourne University sexual harassment case. Joe Cinque’s Consolation (2004) was a non-fiction study of two murder trials in Canberra.
In 2006 Helen Garner received the inaugural Melbourne Prize for Literature. Her most recent novel, The Spare Room (2008), won the Victorian Premier’s Literary Award for Fiction, the Queensland Premier’s Award for Fiction and the Barbara Jefferis Award, and has been translated into many languages.
Helen Garner lives in Melbourne.
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Top reviews from Australia
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Most Australians were familiar with the horror of this family's situation. Ms Garner tell the story with her usual delicate touch.
She also highlights our desire to hope of the best of our fellow human beings, because to accept that a man (in this particular case) could possibly do this two his three children somehow beggars belief: we don't WANT it to be true.
Sadly, it is.
A wonderfully rendered account, beautifully written & clearly heartfelt.
Thank you, Helen Garner.
Top reviews from other countries
Helen Garner saw an item on the news and thought to herself that Father’s Day evening in 2005 and hoped that it was a tragic accident. When Robert was committed to trial she sat in the court room every day with a young gap-year student, listening and watching and this book is the result. Her quest to understand what happened and why is unwavering, yet without the prurient feel some true crime books have.
Do you think the story he told the police could be true – that he had a coughing fit and blacked out at the wheel? There is such a thing. It’s called cough syncope. The ex-wife swore at the committal hearing that he loved his boy’s. So? Since when has loving someone meant you would never want to kill them? She said it was a tragic accident – that he wouldn’t have hurt a hair on their heads.
Never before have I read about a murder trial in such detail, as Garner doesn’t just give us the facts, she recreates the court room with its moments of high drama and the low energy of the listeners to three days of evidence given by the police about tire tracks and tufts of grass. Although we don’t get descriptions of the jurors, for obvious reasons, everything is scrutinised, seemingly gently but missing nothing. Helen shares with us the ups and downs not only of the overarching trial but the mood of the jurors, the latest hot topic from the journalists, the sympathy she herself feels towards Cindy the boy’s mother but also towards Robert and his steadfast family. She puzzles at parts of the evidence, gives us the ‘everyman’ view from comments she overhears, she talks to Cindy’s parents, the man who runs the coffee stall, the gap-year student who has the certainty of the young We are given the smallest details that tell a lot about the mood in the court room, not just from the energy and passion of the defence and prosecution lawyers, but the drooping of a head, the fingering of a shirt collar and the stillness when significant evidence is given or refuted.
This is such a compelling read as Garner spends her time in court acting like one of the jurors, although she doesn’t bear their huge responsibility of listening to conflicting experts, possible mistakes that could be dismissed in any other arena, but in court are subjected to endless questioning that results in either point of view become entirely irrelevant. She feels for the men and women who are on the witness stand.
The repeated order ‘Just answer the question’ came to sound like a gag or a bridle. How crude, how primitive were the words ‘yes’ and ‘no’ in the face of questions on which so much hung!
Garner is not a juror though, so she is also is able to include the evidence not presented to them, the evidence that is withdrawn on different grounds.
This book covers both the original trial and a later re-trial by which time feelings have solidified and those attending have aged. The book covers a total of over three months of court time which is condensed into roughly 300 pages of engaging prose, an absolute must read for those who want the inside knowledge of a court trial, in some ways far removed from that which we see on TV and in films but in others, just as you’d expect.
Never before have a read a non-fiction book that has so effectively transported me to a scene, like Garner herself, the days I spent reading this evocative, detailed yet accessible book, I pondered over the phrases used by the accused, I winced at the evidence given by the friend and I applauded the jurors for their tenacity.