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The Grapes of Wrath Paperback – 23 October 2000
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Shocking and controversial when it was first published in 1939, Steinbeck's Pulitzer prize-winning epic remains his undisputed masterpiece. Set against the background of dust bowl Oklahoma and Californian migrant life, it tells of the Joad family, who, like thousands of others, are forced to travel West in search of the promised land. Their story is one of false hopes, thwarted desires and broken dreams, yet out of their suffering Steinbeck created a drama that is intensely human, yet majestic in its scale and moral vision; an eloquent tribute to the endurance and dignity of the human spirit.
- ISBN-109780141185064
- ISBN-13978-0141185064
- Edition1st
- PublisherPenguin
- Publication date23 October 2000
- LanguageEnglish
- Dimensions19.7 x 12.9 x 3.15 cm
- Print length528 pages
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Product description
Book Description
About the Author
Product details
- ASIN : 0141185066
- Publisher : Penguin; 1st edition (23 October 2000)
- Language : English
- Paperback : 528 pages
- ISBN-10 : 9780141185064
- ISBN-13 : 978-0141185064
- Dimensions : 19.7 x 12.9 x 3.15 cm
- Best Sellers Rank: 1,164 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
John Steinbeck (1902-1968), winner of the Nobel Prize in Literature, achieved popular success in 1935 when he published Tortilla Flat. He went on to write more than twenty-five novels, including The Grapes of Wrath and Of Mice and Men.
Photo by JohnSteinbeck.JPG: US Government derivative work: Homonihilis (JohnSteinbeck.JPG) [Public domain], via Wikimedia Commons
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Top reviews from Australia
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Highly recommended.
Grapes has so many useless, naive, meaningless passages, mostly dialogue, I wondered if the publishers gave Steinbeck a minimum page requirement. And did people in the US really speak that way, ever? If they did, critics need to rate novels according to their appeal to contemporary readers. Even if novels like Grapes and A Farewell to Arms (which I disliked even more) were masterpieces in their day (I can't imagine they ever were), I want to know what's a good read for me and my contemporaries, regardless of when it was written. That doesn't mean that I think all old novels are over-rated; clearly they're not. But a number that often appear in the top 20 of all time, are.
Top reviews from other countries
“Up ahead they’s a thousand’ lives we might live, but when it comes, it’ll on’y be one.”
Back in the 1930s, during the Great Depression, the population of the United States was over one hundred and twenty million. The Joads, though, were among those two hundred fifty thousand farmers who, after the banks had thrown them out from their land and homes, set out to California, where, they were told, they could start over. They could have lived a different life, there probably were, if not thousands, but a few other choices they could have made, but the only one they lived was full of hardships and sorrow.
“The Grapes of Wrath” – or any book really – isn’t a story about everyone. It isn’t about the fate of every single American family who lived in the States almost a century ago. It isn’t about every farmer of Oklahoma or other agricultural state, who, driven by the wish to feed their families during the years when the harvest was poor and by the lack of financial literacy, lost their farm. It also isn’t about every single Californian farmer who was luckier and still had rich harvests and got an extra bonus of cheap labour force flooding the country.
Yet, “The Grapes of Wrath” is a story of thousands – tens or hundreds – of people. And as such, it deserves to be told. From the perspective of these people, their hardships, the sufferings they had to go through. Without sugarcoating
or diminishing the bitterness of what they experienced solely for the sake of not offending anyone.
Every story deserves to be told, even if it angers someone.
The truth is that those who go through something like the Joads do in “The Grapes of Wrath” seldom get a chance to tell their story. Others have to do it. But for that, those luckier ones have to have compassion for the less fortunate and a desire to understand how it felt what they’d never experienced. It is absolutely impossible to do with the attitude ‘If it didn’t happen to me, it didn’t happen at all.’
The immense power of this book hit me hard. I travelled with the Joads in their old jalopy of a truck they bought, having spent a painful chunk of the little money they managed to scrape selling all their life. I felt their fears and their pain. I was terrified every time they encountered hate, aggression, and indifference on their way to California – to the land where, they believed, they’ll have a chance to become people again. Not ‘Okies’; not the useless customers who fill up the tank for a few dollars – not enough to make the gas station’s owner rich – and use the water, drinking it right from the hose and using it to wash the road dust and dirt, which seem to have grown into their skin. Not the annoying clients who walk into a roadside diner and – unlike truck drivers, the worthy customers! – can’t even buy a couple of candies for their equally filthy and miserable kids.
Together with the Joads, I slept on the ground in the makeshift tent – tarpaulin spread over a rope – and I dreamt about the green and lush lands of California. Countless times, I lost hope and felt it blossoming anew upon meeting kind people who didn’t look at me like I’m not a human being.
For me, from fictional characters the Joads have transformed into real people.
Ma Joad, the core of the family, its heart and the engine that never stops. Her inner strength is immense, but it isn’t enough not to let everyone under her care give up. And every time someone does give up, a part of her soul dies. She is fierce and patient, kind and unrelenting. A woman, a wife, a mother – the rock.
Pa Joad. A man who was driven out of his land. The land that, for him, was his life. And still, he goes on. Is it because of his wife Ma Joad? Or because the responsibility for his family outweighs his grief?
Tom Joad. Someone who did the wrong thing but didn’t turn wrong.
Rose of Sharon. A mother-to-be, robbed of the most beautiful time in life of every woman. Instead of thinking about the baby names, forced to spend this magic time dragging through the desert under the tarpaulin, not knowing where she’ll have to give birth to the miracle she is carrying under her heart.
Granma and Grampa. Both so familiar and real that my heart aches to write about them.
“Ever’thing we do – seems to me is aimed right at going’ on. Seems that way to me. Even gettin’ hungry – even bein’ sick; some die, but the rest is tougher. Jus’ try to live the day, jus’ the day.” And this is the ultimate – can’t call it wisdom – the bottom line so to speak of what we can learn about life. Moving forward, go on no matter what – is everything we can do, the only thing we have some control over. Also, we can try to remain human. And not following anything blindly, be it an instinct or a prejudice ingrained in us by our upbringing, is the most important trait of a human being.
“The Grapes of Wrath” by John Steinbeck doesn’t follow any ‘standards’ modern authors struggle with every day during our writing journey. It doesn’t grab you from the very first sentence. It settles into the story gradually. There are chapters throughout the book seemingly unconnected to the main plot – but they are integral to the story. It is extremely detailed, making you feel like you are a participant rather than a reader. And it all, following some inexplicable rules, which probably are the essence of creativity, weaves into one perfect whole.
Although it was written in 1939, nothing has changed, so it’s just as relevant today as it was then.
I can’t recommend this book, especially the audiobook, enough.
O prefácio traz a contextualização e os desdobramentos do impacto da obra na história norte-americana, além de uma análise do autor, de suas obras e muitas dicas sobre filmes, documentários, músicas (há uma canção do Bon Dylan para um dos personagens) e até de uma paródia da revista Mad.
Robert Demmot também é responsável pelas notas de rodapé, que são bem importantes nessa obra, pois há bastante gíria e o autor utiliza a forma coloquial da fala da região em sua escrita.