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Undertones of War Hardcover – 6 October 2015
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- ISBN-100198716613
- ISBN-13978-0198716617
- PublisherOxford University Press UK
- Publication date6 October 2015
- LanguageEnglish
- Dimensions15.1 x 3.97 x 22.2 cm
- Print length380 pages
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Review
John Greening's edition will stand as the authoritative one for many years to come. The editorial work in this new edition from Oxford University Press is outstanding ... The whole book, containing photographs and drawings presented within the text, is a delight to hold and compelling to read. ― Ian Brinton, WarPoets.org.uk
Almost certainly the most comprehensive treatment that Undertones has received ... Greening has tackled Undertones and its related texts with great thoroughness, and his book re-establishes beyond doubt the position of Blunden as a major war writer and Undertones of War as a major war book. ― Michael Copp, New Canterbury Literary Society News
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Product details
- Publisher : Oxford University Press UK (6 October 2015)
- Language : English
- Hardcover : 380 pages
- ISBN-10 : 0198716613
- ISBN-13 : 978-0198716617
- Dimensions : 15.1 x 3.97 x 22.2 cm
- Customer Reviews:
About the authors
Discover more of the author’s books, see similar authors, read author blogs, and more
John Greening, recipient of the Bridport and TLS Centenary prizes and a Cholmondeley Award, is author of over twenty collections, including To the War Poets and The Silence from Carcanet. A substantial American selection of his work, The Interpretation of Owls: Selected Poems 1977-2022, edited by Kevin Gardner, appeared from Baylor University Press in 2023 and his next is From the East: 60 Huntingdonshire Codices (Renard). He has edited Edmund Blunden's Undertones of War - the illustrated 2015 OUP edition - as well as the poetry of Geoffrey Grigson, Iain Crichton Smith and a U.A.Fanthorpe Selected: Not My Best Side (Baylor, 2024). His translations of Goethe, Nightwalker’s Song, appeared in 2022 and there is a forthcoming edition of Rilke’s complete New Poems. He has published anthologies on music, rubbish, sheds, country houses and Englishness: Contraflow: Lines of Englishness 1922-2022 (with Kevin Gardner) was a Poetry Book of the Year in the Guardian and Sunday Times. His collected essays, Vapour Trails, came out in 2020 and there is a new selection in 2025.
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It was when I realised that such passages were encountered principally in Blunden’s recollections of set-piece battles that I started to understand what he was trying to do and how effectively he had, in fact, done it. He has used the techniques of poets and composers to unsettle and sow confusion in his readers’ minds, which gets them to think about and sense (as far as that is possible) not just the sequence of events in any given attack (again as far as Blunden could see them), but also the feelings of ordinary soldiers and subalterns caught up in such Western Front battles – fear and confusion being predominant. Thus sudden shocks, random images, (within a sentence a blade of grass here, a piece of shrapnel there), an overwhelming sense of not being in control of one’s fate, are all reflected not just in words but in the structure of Blunden’s prose.
A different technique is used when a completely unexpected disaster befalls his subjects. A quiet passage describing what seems to be safe dug-out domesticity continues on its way even after a shell kills a number of the occupants. No punctuation or change of rhythm heralds the arrival of the shell, no crescendo or heightening of tension, just the fact. One has to go back to the beginning of the sentence to make sure one has truly understood what has just happened, and the shock is all the greater when one realises one has. Casual reference is made to a horse that is spotted behind German lines by British artillery which then kills it, menace being lent to the pointless cruelty by the smooth flow of the prose.
The writing is not perfect; elegiac passages, chiefly relating to the French countryside and his love of ancient books and churches are sometimes marred by highly obscure literary or historical references, which the editors have correctly surmised require a glossary at the front of the book. On such occasions one gets the sense that Blunden is more concerned with conveying the depth of his scholarship than enhancing his narrative – but such diversions are rare.
And should not divert one from the conclusion that this is a memorable piece of prose/poetry, the like of which I have not come across before, save possible in Yeates’ semi-autobiographical ‘Winged Victory’. I think it is interesting that both books were written around twelve years after the Armistice, hence with time for reflection, and both by officers who actually fought in the war so they knew what they were writing about.
The effect is profoundly moving.