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Medea Paperback – 1 August 2006
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The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language.
Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, is a story of betrayal and vengeance. Medea, incensed that her husband Jason would leave her for another after the many sacrifices she has made for him, murders both his new bride and their own children in revenge. It is an excellent example of the prominence and complexity that Euripides gave to female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides's world.
- Print length130 pages
- LanguageEnglish
- PublisherOxford University Press
- Publication date1 August 2006
- Dimensions20.07 x 0.66 x 13.21 cm
- ISBN-100195145666
- ISBN-13978-0195145663
- Lexile measure1260L
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...the book should find a place...on school library shelves. The introduction is lively and immediately engaging... ― Journal of Classics Teaching, Issue 12
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Product details
- Publisher : Oxford University Press; 1st edition (1 August 2006)
- Language : English
- Paperback : 130 pages
- ISBN-10 : 0195145666
- ISBN-13 : 978-0195145663
- Dimensions : 20.07 x 0.66 x 13.21 cm
- Best Sellers Rank: 556,016 in Books (See Top 100 in Books)
- 437 in Ancient & Classical Dramas & Plays
- 681 in History & Criticism of Drama & Plays
- 1,146 in British & Irish Dramas & Plays
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About the authors
Euripides (/jʊəˈrɪpᵻdiːz/ or /jɔːˈrɪpᵻdiːz/; Greek: Εὐριπίδης; Ancient Greek: [eu̯.riː.pí.dɛːs]) (c. 480 – 406 BC) was a tragedian of classical Athens. He is one of the few whose plays have survived, with the others being Aeschylus, Sophocles, and potentially Euphorion. Some ancient scholars attributed 95 plays to him but according to the Suda it was 92 at most. Of these, 18 or 19 have survived more or less complete (there has been debate about his authorship of Rhesus, largely on stylistic grounds) and there are also fragments, some substantial, of most of the other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly due to mere chance and partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes and Menander.
Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. Yet he also became "the most tragic of poets",[nb 1] focusing on the inner lives and motives of his characters in a way previously unknown. He was "the creator of...that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "...imprisoned men and women destroy each other by the intensity of their loves and hates", and yet he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw.
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