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Voice: Onstage and Off Paperback – Illustrated, 18 April 2011

4.4 out of 5 stars 11

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Review

'I do not know of a more comprehensive book on the subject'

- Beth McGuire, Yale School of Drama

'...excellent resource and should ofer superb value to the field for a long time to come.'

- Jane Boston, Central School of Speech and Drama, UK

'...a book that practically teaches by itself. Comprehensive and easily accessible...'

- from Voice and Speech Training in the New Millennium, Conversations with Master Teachers by Nancy Saklad

Review

'I do not know of a more comprehensive book on the subject'

- Beth McGuire, Yale School of Drama

'...excellent resource and should ofer superb value to the field for a long time to come.'

- Jane Boston, Central School of Speech and Drama, UK

'...a book that practically teaches by itself. Comprehensive and easily accessible...'

- from Voice and Speech Training in the New Millennium, Conversations with Master Teachers by Nancy Saklad

Product details

  • Publisher ‏ : ‎ Routledge; 2 edition (18 April 2011)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 464 pages
  • ISBN-10 ‏ : ‎ 0415585589
  • ISBN-13 ‏ : ‎ 978-0415585583
  • Dimensions ‏ : ‎ 17.53 x 2.54 x 25.15 cm
  • Customer Reviews:
    4.4 out of 5 stars 11

About the author

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Robert Barton
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Robert Barton is professor emeritus of acting and continues to teach at the University of Oregon. He has performed in most of the plays of Shakespeare and has directed half of them, including playing the title role in a PBS production of Hamlet. He is the author of several acting texts and co-author, with Rocco Dal Vera, of Voice: Onstage and Off. Robert’s book Style for Actors published last year in a new edition, was recipient of the Theatre Association’s Best Book Award and he has been honored as Outstanding Acting Coach by the American College Theatre Festival. . He is co-author (with Annie McGregor) of the introduction to theatre text, Theatre in Your and an anthology of plays titled Life Themes. He has published numerous articles on acting, and his regular column, “Many Right Ways,” appears in each edition of The Voice and Speech Review. His newest text , Acting Reframes: Using NLP to Make Better Decisions In and Out of the Theatre will be published next year.

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