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The Sleeper and the Spindle: WINNER OF THE CILIP KATE GREENAWAY MEDAL 2016 Hardcover – 1 November 2014
WINNER of the CILIP Kate Greenaway Medal 2016
A thrillingly reimagined fairy tale from the truly magical combination of author Neil Gaiman and illustrator Chris Riddell - weaving together a sort-of Snow White and an almost Sleeping Beauty with a thread of dark magic, which will hold readers spellbound from start to finish.
On the eve of her wedding, a young queen sets out to rescue a princess from an enchantment. She casts aside her fine wedding clothes, takes her chain mail and her sword and follows her brave dwarf retainers into the tunnels under the mountain towards the sleeping kingdom. This queen will decide her own future - and the princess who needs rescuing is not quite what she seems. Twisting together the familiar and the new, this perfectly delicious, captivating and darkly funny tale shows its creators at the peak of their talents.
Lavishly produced, packed with glorious Chris Riddell illustrations enhanced with metallic ink, this is a spectacular and magical gift.
- Reading age9 years and up
- Print length72 pages
- LanguageEnglish
- Dimensions11 x 0.8 x 20.8 cm
- PublisherBloomsbury Children's Books
- Publication date1 November 2014
- ISBN-101408859645
- ISBN-13978-1408859643
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Review
Suffused with joy and melancholy and underpinned by the knowledge of where it comes from and where it wants to go. It is absolutely a retelling for our age, but also for ages still to come -- Lucy Mangan ― The Guardian
Magical, sumptuous, transporting ― The Big Issue
Unforgettable, unpredictable and utterly enchanting for anyone between the ages of seven and seventy -- Amanda Craig ― The New Statesman
Will hold the reader spellbound from start to finish ― The Guardian
A richly nuanced tale with a contemporary slant that will fire your imagination - and haunt your dreams ― Times Educational Supplement
Book Description
About the Author
Neil Gaiman has written highly acclaimed books for both children and adults and is the first author to have won both the Carnegie and Newbery Medals for the same work - The Graveyard Book. The L.A. Times has described his multi-million-selling graphic novel series Sandman as 'the greatest epic in the history of comic books'. Many of his books, including Coraline and Stardust, have been made into films; Neverwhere has been adapted for TV and radio; American Gods and Good Omens have been adapted into major TV series. He has also written two amazing episodes of Doctor Who and appeared in The Simpsons as himself. In 2013 he published his first adult novel for seven years, The Ocean at the End of the Lane, which received stellar reviews and was a bestseller around the world.
gaimanbooks.co.uk / @neilhimself
For more on Neil Gaiman and his award-winning children's books, visit www.gaimanbooks.com
Chris Riddell is a much-loved illustrator and acclaimed political cartoonist. He has won the Nestlé Gold Award and two Kate Greenaway Medals. He is co-creator of the hugely successful New York Times bestseller the Edge Chronicles.
Chris has also worked on books for children with numerous collaborators including Paul Stewart, Neil Gaiman, Russell Brand and Michael Rosen.
Product details
- Publisher : Bloomsbury Children's Books; 1st edition (1 November 2014)
- Language : English
- Hardcover : 72 pages
- ISBN-10 : 1408859645
- ISBN-13 : 978-1408859643
- Reading age : 9 years and up
- Dimensions : 11 x 0.8 x 20.8 cm
- Best Sellers Rank: 255,529 in Books (See Top 100 in Books)
- 3,753 in Classics for Children
- 4,898 in Fairy Tales, Folk Tales & Myths for Children (Books)
- 9,144 in Fantasy & Magic for Children
- Customer Reviews:
About the author

Neil Gaiman is the #1 New York Times bestselling author of more than twenty books, including Norse Mythology, Neverwhere, and The Graveyard Book. Among his numerous literary awards are the Newbery and Carnegie medals, and the Hugo, Nebula, World Fantasy, and Will Eisner awards. He is a Professor in the Arts at Bard College.
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Top reviews from Australia
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I do love how the Queen sets off to save the city and saves herself in this one - more of that, please. The lush illustrations were a highlight and definitely need to be appreciated up close.
I didn't mind that this was so short going in, but I would have liked more depth, a bigger twist to really spellbound. Overall, solid ending and I liked that it took a different path than the traditional happily ever after.
Top reviews from other countries

Libro muy bonito para un regalo, con ilustraciones encantadoras;
desgraciadamente la Versión en español está agotada !
Aconsejó regalar la "versión de tapa dura", en la que seguramente las paginas del libro se dejarán abrir mejor y se podrá disfruta mejor de las ilustraciones y del libro en sí !
Atentamente un saludo

Zum Cover & den Illustrationen: eine schlafende Frau mit wallendem Haar, dazu an den Seiten gewundene Dornenranken - sofort assoziiert man diese Geschichte mit Dornröschen. Es passt wirklich sehr gut zur Handlung des Buches und zieht einen beinahe magisch an. Auch die restlichen Illustrationen sind (wie von Chris Riddel gewöhnt) ganz fantastisch geworden. Seine Menschen und Wesen haben einfach einen ganz eigenen Charakter, sprühen vor Charme und besonders seine Art Schatten zu setzten und zu Schraffieren bringt eine gewisse Dynamik mit, die ich selten bei Illustrator:innen sehe. Besonders der Mix aus "klassisch" schönen Elementen und Makabren hat mir hier besonders gut gefallen!
Zur Handlung: in dieser Geschichte verfolgen wir eine mutige und emanzipierte Königin, die sich, zusammen mit einer Gruppe von Zwergen, auf den Weg macht, um den Fluch der Prinzessin zu brechen. Dabei werden die verschiedensten Märchenelemente von Dornröschen und Schneewittchen miteinander verwoben, sodass ein ganz eigenes Märchen erzählt wird. Die Geschichte ist nicht besonders lang, jedoch lässt sie einen beim Lesen zu keiner Zeit los und man fliegt nur durch die Seiten. Es ist ein Märchen mit vielen unerwarteten Wendungen, einer unabhängigen Protagonistin und Magie.
Die Charaktere: durch die geringe Seitenanzahl war es schwierig, den Charakteren eine Entwicklung oder Tiefe zu ermöglichen, hier wurde sich wirklich eher auf die Handlung fokussiert. Jedoch hat mir unsere Protagonistin, die Königin, unheimlich gut gefallen. Ohne groß zu überlegen macht sie sich auf den Weg, um die Prinzessin zu retten, beweist unterwegs Mut und Stärke und bleibt sich dabei selbst treu. Zusammen mit den Zwergen hat sich dabei eine tolle Gruppe ergeben, die man gerne während der Reise begleitet hat.
Ich kann wirklich nicht meckern. Das Buch hat mich von vorne bis hinten begeistern können und durch die wunderschöne Aufmachung einen Ehrenplatz im Regal gesichert. Von mir gibt es klare 5/5 Sternen und eine wirklich gut gemeinte Leseempfehlung! :)
Besonders diese Deluxe Edition ist einfach nur eine Augenweide!

Reading stories like this and Snow, Glass, Apple is akin to sampling a wonderfully matured wine, with Gaiman's imagination being the barrel that matured these timeless (and patriarchal tales) into exquisite vintages that have been appropriately aged and modified to appeal to a more empowered and diversified audience. But, the words are only one-half of what makes this book such a treat. Riddell's art is the other half.
Gaiman has often praised the silent-panels within graphic-novels. The pages of Sandman are replete with examples of the same and Riddell's silent images which contain the beautifully macabre world of witches and thorns and skeletons and roses are not like the usual sublime after-thought doodles that one would find in the margins of a book like Neverwhere. Unlike Neverwhere, the art found in The Sleeper and the Spindle has a much more prominent presence that in most cases compliment and in some cases advances the story.
Ironically, it was while suffering from a bout of insomnia that I decided to take a break from my usual multi-book orgy and began this book as a change of pace. And it provided me with more than just a change of pace, it provided me with a happily ever after. One that the other books strewn across my bed and indeed even sleep itself had failed to do so.


Reviewed in India on 24 February 2020
Reading stories like this and Snow, Glass, Apple is akin to sampling a wonderfully matured wine, with Gaiman's imagination being the barrel that matured these timeless (and patriarchal tales) into exquisite vintages that have been appropriately aged and modified to appeal to a more empowered and diversified audience. But, the words are only one-half of what makes this book such a treat. Riddell's art is the other half.
Gaiman has often praised the silent-panels within graphic-novels. The pages of Sandman are replete with examples of the same and Riddell's silent images which contain the beautifully macabre world of witches and thorns and skeletons and roses are not like the usual sublime after-thought doodles that one would find in the margins of a book like Neverwhere. Unlike Neverwhere, the art found in The Sleeper and the Spindle has a much more prominent presence that in most cases compliment and in some cases advances the story.
Ironically, it was while suffering from a bout of insomnia that I decided to take a break from my usual multi-book orgy and began this book as a change of pace. And it provided me with more than just a change of pace, it provided me with a happily ever after. One that the other books strewn across my bed and indeed even sleep itself had failed to do so.







