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Foundations of Sensation and Perception Paperback – 15 April 2016

4.7 out of 5 stars 39
Edition: 3rd

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"This new edition is a comprehensive, well-structured text that shows how sensation and perception offer immediate and tangible access to the workings of the brain. It is an excellent choice for introductory as well as advanced courses and has the breadth and depth to serve as a basic reference text for all." – Patrick Cavanagh, Harvard University, USA, & Université Paris Descartes, France

"The one clear exception in the jungle of perception textbooks is Foundations of Sensation and Perception. This classic book has always stood out, and the newest version still does. It is state of the art, covering not only the fundamental aspects of all senses, but also all the important recent developments. In this third edition, the effects of attention on perception gets what it deserves: a separate chapter! This book will both prepare the next generation of perception students for a great future as well as educate all those interested in how our senses actually contribute to how we (and other animals) perceive the world. This book should be on everybody’s desk in reaching distance." – Frans Verstraten, The University of Sydney

"We open our senses, and the world is before us, out there. But is it? We have no direct connection to anything out there, it’s all in our heads: vision, hearing, touch and smell, neural codes for what we might call reality. The story of this book is how that world out there gets inside us, from the physics of signals to neural transduction and transformation, and how the organising principles of sensory encoding deliver the computational result that is our perception of the world. This is an eye-opening read, one that is sure to bring the wonder of perception to the top of any student’s ’wow’ list. Accessible and immensely informative, the engaging narrative is accompanied by valuable tutorials that will equip students with a deep understanding of how the sensory brain works and, just as important, how it is that we’ve come to know that this is how it works." – Tim Meese, Aston University

"This is an excellent book dealing covering all aspects of sensation and perception and their investigation by scientists. There is good emphasis on scientific methodology as well as tutorials providing valuable insight into concepts that are commonly fragmented or, worse, glossed over in other texts. I recommend it to all students of psychology who have sensed a gap in their perceptual knowledge." – Amanda Ellison, Durham University

About the Author

George Mather is Professor of Vision Science at the University of Lincoln, UK. He has published over 60 research papers, 4 books, and 7 book chapters and his main research interests are in motion perception, visual after-effects and the perception of visual art. His research has attracted funding by a number of UK research councils and charities. His hobbies include motorcycling, football and visual art.

Product details

  • Publisher ‏ : ‎ Psychology Press; 3rd edition (15 April 2016)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 470 pages
  • ISBN-10 ‏ : ‎ 184872344X
  • ISBN-13 ‏ : ‎ 978-1848723443
  • Dimensions ‏ : ‎ 18.9 x 2.77 x 24.6 cm
  • Customer Reviews:
    4.7 out of 5 stars 39

About the author

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George Mather
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George Mather is Honorary Professor of Experimental Psychology at the University of Sussex, and Emeritus Professor at the University of Lincoln, UK. He received his Bachelor's degree in Psychology from Sheffield University, UK, in 1976 and a PhD in visual perception from Reading University, UK, in 1979. He held research positions at Reading University, UK, York University, Canada, and University College London, before being appointed to a lectureship at the University of Sussex in 1984. He has held an academic post at Sussex for most of his academic career since then, apart from a period as Professor at Lincoln.

George has published about seventy papers in scientific journals, seven books and ten book chapters. He has served on the editorial board of several journals including "Proceedings of the Royal Society Series B" and "Perception/i-Perception". His interests include visual art, motorcycles and football.

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